From a feminist point of view, the speaker reviews the career of the painter María Paz Jiménez (1909-1975). She focuses on the transgression that the artist's works incorporated, as well as her practices. In fact, Jiménez represented racialized women, she was one of the first artists to cultivate abstraction in the Basque scene and entered the intellectual environment of the time, against against the feminine ideal outlined by Franco's regime. However, we will see that due to the masculine roots that the history of art in Euskal Herria has, Jiménez has not received the recognition she deserves.